Wednesday, December 31, 2008

Lost

(TV Series)



JAMES says:

It was so close. I almost didn’t start watching Lost at all. How nearly identical things might have been. The thought of a glossy drama about a bunch of whiny Americans trapped on an island didn’t strike me as my thing. However, having recently finished Robinson Crusoe, and also just returned from being stranded in the Pacific for a number of months following an ill-thought out mutiny attempt, I was in a desert island kind of place mentally, so thought I’d give it a try. However, as a backup plan I also played Scrabble with the wife, so if it was crap I hadn’t wasted the evening.

Jack, heroic
Jack, heroic


Luckily it takes very little of my mental power to beat Debbie, so I was able to follow the initially formulaic and lacklustre plot. That was until the polar bear appeared. A momentous polar bear, it marked the moment when American TV decided to embrace its slightly insane side. Or at least, when one show did, and then was quite successful and slavishly copied by everyone else.

As well as the increasingly intricate and ludicrous mysteries the show also had an innovative structure whereby interspersed with all the running around the jungle you get a little flashback story about one of the characters and the crazy things they got up to back when they had different hairstyles. This meant that you got a good mix of ongoing developing stories, and self contained little vignettes, something you don’t see so much these days.


And all was well and good and Boon died and that was even better. However, when it came to the second series the makers took the controversial decision to make it just really dull. The running around the jungle that was innovative and ground breaking in the first series now looked tired. Every other episode seemed to focus on Dr Jack, an actor with a face so dull it couldn’t really be said to have even one expression. When the momentum seemed to dip either they’d find another hatch or Sawyer would take his top off again and look angry.

Jack, scared


Jack, scared


When this dampish Smallville of a season reached its end the shock news came through that free telly people would no longer be showing it, and it seemed like a natural time to give up on the whole thing. I believe a number of people went through a similar testing of the faith, but most of them failed like the disappointing idiots that they are. However, I was able to start viewing the third series in the format that fits it best, badly recorded video tapes. The first three episodes probably contained more excitement than a whole season of Britain from the Air.

The third series on DVD, along with the American Office series 3, got us through the hard first few months of parenthood, whilst the fourth series got us through the slightly less hard but no less lethargic recent couple of weeks. And whilst one of the most fun parts of it, discussing it with co-workers the next morning, has been Lost, at least I have the comfort of knowing I have seen series 4 whilst Neill hasn’t.



Jack, perplexed by the baffling metaphysical inconsistencies of his universe
Jack, perplexed by the baffling metaphysical inconsistencies of his universe


Admittedly the whole thing is little more than ‘what’s in the box?’, ‘oh, it was a monkey in a hat, that’s slightly disappointing. But look, here’s another box. What could be in this?’ etc. Etc. But as Scooby Doo knows, mysteries are cool and distracting and help you fill up the wasted hours being working and sleeping. And that’s what Lost does. And if strange magical islands don’t rock your world there is an incredible assortment of humorously bad accents to laugh at, many of them inexplicably done by people who hail from the very area that the accent belongs to.

8.9/10


Buy Lost - The Complete Fourth Season [2008] on DVD from Amazon now! Then you too can lord it over Neill in an irritating fashion!


Get caught up:

Thursday, December 18, 2008

808s and Heartbreak

by Kanye West
(Album)



NEILL says:

One of the greatest strengths of Kanye Wests' three previous studio albums as rapper and producer was their diversity. On 2004's debut The College Dropout in particular, he covered an enormous amount of stylistic distance, jumping from driving gospel-tinged military march (Jesus Walks) to demented string-heavy instructional tape parody (The New Workout Plan) in the space of a couple of songs, and taking in such far-ranging topics as race, education, politics, and of course the vital importance of Hitting That. He extended this pick-n'-mix approach to collaborators, gleefully bringing in a wide range of guest vocalists and casting them against type, getting well-respected if slightly obscure 'conscious' rappers like Talib Kweli and Common to loosen up and rap about about pulling chicks (Get Em High) while bringing out a slightly deeper side of mainstream artists like Jay-Z (Never Let Me Down).

Given that this energetic eclecticism was such a strength of his previous work, it is something of a surprise that his latest album, 808s and Heartbreak, is almost wholly composed of Kanye himself abandoning rap to sing whiny vocoder-heavy ditties about being dumped by his girlfriend, with beyond-parody titles like 'Heartless', Paranoid' and 'Welcome To Heartbreak'. Over and over again. For an entire album. What is even more of a surprise is that the end results are surprisingly bearable, and indeed in places are actually pretty fucking awesome.

Far better than it had any right to be on paper.

6/10



Buy
808's and Heartbreak on Amazon now!


Let's take it back to '04! OLD SCHOOL.


Sunday, December 14, 2008

Secret Santa

(Annual Office Travesty of the Festive Experience)





JAMES says:

I am a man, and therefore I have trouble thinking of gift ideas. For my wife, my family, even for my brother who has pretty much exactly the same tastes as me (excluding The Athenian Murders) I can traipse around HMV for hours with a confused look on my face and still emerge unpresented. Who, then, thought it was a good idea to have to buy another present, this time for someone with whom my interaction has yet to progress beyond ‘Morning’ (not even at ‘Good Morning’ level yet) and discussions about the milk supplies.

Me, I thought it was a good idea. I am a chump.

The office environment has a way of dragging in that which is good and wholesome and pure in the world, and cheapening it. Look at parties, look at romances. Here it is taking something which is already quite fraught with awkwardness and possible missteps. Once you remove any present that could be considered offensive or even potentially offensive, anything that would involve some effort to purchase, anything they might already possess and anything over £10, you are left with the lowest common denominator of presents. This is why, without exception, men get booze and women get toiletries. Because women smell and men are all drunkards. What a sad indictment of our race.

This shouldn’t be a problem because of the secrecy clause (tee hee) in proceedings, but if anything dies quicker than genuine emotion in the poisoned environment of the office it is a secret. Before the wrapping paper even hits the bin you have a whole series of conspiracies along the lines of ‘I’ll tell you who I bought for if you tell me who you did’, and before you know it the guy you thought would really dig a ‘Chicken Soup for the Soul for Golf interactive DVD game’ is blanking you at the photocopier.

And people will also spend £4 less on you than you spent on them. I mean, I know I said £10 was only an upper limit, but come on.

2.7/10

Saturday, December 06, 2008

No Country for Old Men

Dir. Joel & Ethan Coen, 2007
(Film)





JAMES
says:


It’s the Coen brothers, so it’s beautifully shot, and full of quirky but interesting characters; this time round they’re proper cowboys and Indians (well, Mexicans but close enough). Fairly early on in proceedings (about the time the guy starts shooting dogs) we agreed that it wasn’t a Debbie film. What surprised me, by the end I had decided that it wasn’t a James film. I will explain my reasons, but I warn you they might be misinterpreted to create the impression that I’m low brow, stupid even. Far from that being the case, I am as highbrow as Stephen Fry without an anus.

With that mental image always close at hand, let us continue. When we watch a film it is often a give and take process, we suspend our disbelief and they give us a satisfying but generally absurd experience. Now, this is of course not always the case, and there is a valid and growing subset of movies concerned with a couple of hours where nothing much really happens, y’know, just like life. Mutual Appreciation is a very good example of this. But No Country for Old Men isn’t. Rather a lot happens, mainly involving men ending the lives of other men using firearms or vacuum cleaners.

And that of course is fine. Movies where lots of people kill other people, movies where one guy takes on rooms full of slightly sweatier men with semi automatics and comes out unscathed, I love movies like that. Every bullet that whizzes past as our protagonist does a forward roly poly to the scant cover of a hotel bed makes you feel a little bit invulnerable. So it hummed along perfectly nicely until it suddenly decided to be inconsequential, unresolved and unsatisfying, y’know, just like life.

But it hadn’t been like life up until then, and the sudden change of tone was jarring, annoying even. After all that crossfire foreplay we want the money shot, the hero and the villain, the showdown, the kiss and the sunset. What we get is an old guy having some dinner with his wife. It’s like at the climactic point of a porn film the couple (or group, or menagerie) just stop doing it and start playing Mario Kart. Which is probably artistically valid and clever but leaves you frustrated and tugging desperately at your drooping member (I hope you’re still remembering Fry and his lack of anus).

Maybe I’m being shallow in desiring traditional resolution, or maybe I’m just annoyed because I got confused and had meant to order There Will Be Blood from Lovefilm (though to be fair there was quite a bit of blood). What I definitely am is disappointed by this whorish tease of a movie.

4.2/10



Buy No Country For Old Men [2007] on DVD from Amazon now!

Sunday, November 23, 2008

The First Year of my Son’s Existence

(You'll miss it when he's all grown up)



JAMES says:

As pretty much all I do or think about or am forced to wipe these days revolves around my son, I thought I would do ten Freakonomics style unexpected (though eminently foreseeable) consequences/discoveries of having a child:

  1. You actually save money in the short term, as you can never ever go out anywhere, and any free time you have will involve people visiting you to see the baby (you gotta see the baby). This has the additional benefit of them bringing presents so you don’t have to buy anything yourself. Nice stuff too, not like the crap you end up getting for them. And, to be honest, it is great having an unarguable excuse to get you out of any and all social engagements.
  2. You, or your wife at least, will make lots of new breeding friends.
  3. You quickly give up on keeping your books in alphabetical order on the shelf after the 10th time he has happily pulled them all out. This is I think the worst consequence.
  4. He will train you up as efficiently as John Noakes would train a puppy. If anything makes him smile or laugh you will find yourself doing it again and again and again. I recently spent a whole day saluting my young nephew as he seemed to enjoy it. You give up on dignity pretty quickly as well.
  5. There is no more terrible sound in creation than the squawk of a baby at 2am when you thought he had finally gone to sleep.
  6. Conversely there is no more satisfying feeling that inserting a block into its right hole in a shape sorter.
  7. You spend all your time worrying why they’re not talking/crawling/walking yet, then you spend all your time reminiscing wistfully about the times when they’d stay still and shut up.
  8. On the rare and precious occasions when you are allowed out of the house to meet with normal people, you’ll find the only topic of conversation you have available to you is children’s television, about which the majority of people are indifferent to or HAVEN’T EVEN SEEN. This also applies to reviewing things (see last week).
  9. In addition, the theme tunes to said children’s television penetrates your subconscious to a pernicious degree. The ultimate deterrent in any disagreement between you and our co-parent is to hum the first few bars of ‘Charlie and Lola’, which will then be stuck in their head for the rest of the day. Of course, you will also be left humming away to yourself, but this is a small price to pay for the smiting of your enemy. They shouldn’t worry about using Eminem to torture people at Guantanamo Bay, the theme tune to ‘Higgledy House’ would be enough. In fact, force them to actually watch ‘Higgledy House’ and they’d crack in hours.
  10. No matter how much of a nuisance your offspring has been, no matter how much pickling they have got up to in the day, you only have to see them asleep and all is forgiven. Which I guess is how our species has managed to survive.
  11. Oh yeah, you lose a lot of your cynicism obviously.

9.2/10

That Time Me and Di Went To Japan

(Holiday)



NEILL says:



9.3/10

Sunday, November 16, 2008

Phlegm

(Bodily Fluid)



JAMES says:

After last week’s looking at the stars, it’s time for a bit of quality gutter time. Now, in its right place phlegm is harmless, even beneficial. It lubricates your throat to allow things to pass down more easily, a sort of KY Jelly for the mouth (or if you’re on Brokeback Mountain a KY Jelly for the bottom). I have no issue with this type of phlegm. What I do object to is what happens after the two deadbeats from ‘Once Upon a Time... Life’ take over production and it become ‘Sick Phlegm’.

Sick Phlegm is far scarier than any serial killer or shark in Venice. It is the colour and consistency of pus and flows in a constant stream from your nose and mouth. It is unrelenting and yucky and lives in your head. If you’re lucky it restricts itself to the nose and you can manage the whole affair with a good stock of tissues. At present I am not lucky. At present I am coughing up great big globs of glistening jelly, and I’m unsure of the best way to deal with them.

Now, the most obvious way is to spit it into a tissue, assuming you have one to hand. This is generally successful but due to the higher moisture content of throat snot against its nasal brother you have no hope of reusing the now soggy tissue, whereas it could have probably withstood 3 or 4 blows of the nose. Thus you contribute directly to the destruction of the planet. Also, whilst you are fairly sure a sneeze is going to lead to product, the majority of coughing is harmless. This lulls you into a false sense of security until you end up with a dripping sticky hand. Any future action to locate a tissue in pockets/drawers leaves the place looking like the hotel in ‘Ghostbusters’.

Another option is to simply bite the bullet and swallow the phlegm. After all, that’s where it came from, right? No mess, no fuss. Unfortunately it doesn’t taste very nice, a kind of sweet yet salty mixture that would only appeal to connoisseurs of oysters. Also, seeing as how your body is going to all this trouble to get rid of the stuff, it doesn’t really feel like playing the game to just send it right back down there again.

Finally there is the classic if antisocial solution of spitting it out. This is ideal if you’re on your own, or in an open space, but people begin to look at you funnily in the office if you cover their monitors with germ ridden mouth juice. And it doesn’t merely disappear like a murdered video game character or semen. It stays there, silently accusing you until it retracts into a persistent stain.

Worst of all are the times, such as driving along the motorway or making love, when you feel a wet cough coming on but there is nothing to do about it. You are left with the Hobnob’s choice of letting it fly every which way, which at least spreads the problem around a bit, or coughing on your hands and then wiping it in the least noticeable place.

Now I realise I am arguing from a point of prejudice, and if anyone wishes to take up the case for phlegm feel free, but I hate the stuff. It reduces us to filthy diseased beasts. It is the X-Factor of the bodily fluids world.

0.6/10

Wednesday, November 12, 2008

Andromeda s1, ep 7: "The Ties That Blind"

(TV show)



NEILL says:

As part of our current week of space-themed reviews, I thought it would be an interesting exercise to watch and review a random episode of the science fiction TV series Andromeda. I have never seen Andromeda nor indeed do I have any idea what it is about. All I know is that it is a science fiction TV series starring Kevin "that guy who was in that thing that was like Xena but with a dude" Sorbo.1 I thought it would be fun to review something with absolutely no background or familiarity, to judge it solely on its effectiveness as a dramatic presentation, free of any pre-existing bias or preconception.

Here is the episode summary, which I read before proceeding:

Andromeda s1, ep7
"The Ties That Blind"

Beka is unexpectedly reunited with her con-artist brother when a Wayist courier ship asks Andromeda for help after being attacked. Rafe Valentine claims to be a devout Wayist, making the Andromeda a prime target for Restorian attack, but does the conman have a hidden agenda?
Here were my observations upon reading the above.
  • Oh God.
  • "The Ties That Blind"? Really?
  • One of the characters is called "Rafe Valentine".
  • Seriously, maybe this wasn't such a good idea.
  • "Wayist"? "Restorian"? Suggests some kind of appallingly cackhanded religious allegory.
  • There's going to be lots and lots of talking, isn't there?
I even went so far as to jot down my predictions for what exactly would happen in the story, based on this description. These read:

Act 1) Brother introduced, seems charming. Kevin Sorbo is suspicious of him.
Act 2) Kevin Sorbo learns that Brother is a wrong 'un. Tries to tell 'Beka' (love interest?) - but she gets angry with him and tells him to GO TO HELL
Act 3) Faced with some incontrovertible proof of Brother's wrong-'un-ness, 'Beka' is given opportunity to turn him in / blow him up / similar (DRAMATIC CLIMAX), but lets him go. Promise of redemption for Brother? Ends on bittersweet rapprochement between 'Beka' and Kevin Sorbo.

Now, I'd like to be all smug and sit here and tell you that this cynical and sneering caricature of a plot was, in fact, exactly what did happen in the episode, but I can't honestly say that it did. What I can honestly say is that it would have been much better if it had.

As it turned out, events went like this:

Act 1) Brother introduced, seems charming. 'Beka' is suspicious of him. Kevin Sorbo smiles faintly smugly at everyone. Several of the worst actors ever to be paid money to act talk about religion extensively and excruciatingly.
Act 2) Neill turns off television, literally unable to bear it any longer.

That's right. Reader, I gave up. I made it through approximately 22 minutes before I abandoned my sacred reviewer's duties, thought to myself "seriously, I'm not getting paid for this" and threw in the towel. I think that we've established on this blog that I have a pretty high tolerance for crap, so believe me when I say that this was something special. Suffice to say it displayed every cliche of bad science fiction, which would have been forgivable were it not for the fact that those cliches were literally all it was. I'm not even going to talk about it any more, as it would only depress me and annoy you. Let's all go and have a nice cup of tea and try and forget it ever happened. Does that sound nice? A nice cup of tea?

1/10

1 I'm just kidding. I know exactly who he is, he's Kevin "Hercules" Sorbo.



Buy Andromeda - Season 1 on Amazon now!

...no, hang on, DON'T.

Sunday, November 09, 2008

Space Pirates

(Children’s TV Show)



JAMES says:

Space, a hackneyed setting for children’s television. These are the voyages of the starship Gusto, it’s 22 episode mission to present a selection of music interspersed with general comedy “business” as a means of distracting children and possibly, hopefully, providing parents with a few precious fleeting moments of peace. In what must be the least prolific pirate radio station in space, three songs are played each week, a video, a live performance and an interpretation by the puppet-rat Jingles. Proceedings are managed by the fortuitously christened Captain DJ (played by Marcus Brigstoke, despite what Debbie and the end credits say), assisted by a crew including a robot parrot microphone and a sentient fungi living on the hull of the ship who provides travel and weather.

Despite the stratospherically high concept of a pirate radio station run by actual pirates in space, it maintains interest through that rarity in children’s TV, actually quite funny comedy. This is provided by the captain, a slightly pathetic specimen beaten down by his overbearing mother and his failed dreams of becoming a Blues musician. He’s a bit like Harold Steptoe. In space. With an oversized comedy moustache. Also the music is incredibly catchy, and I often find myself humming the theme to the Zorst Report to myself in my idle moments.

It’s not all good news. For pirates there’s little in the way of drunken debauchery (I think there was a bottle of cough syrup in one episode), and it’s always slightly embarrassing when an actual live human who made the effort to come into the studio is beaten in the best song contest by a bunch of muppets singing ‘Sexual Healing’ or an old Spice Girls video. Worst by far, however, is the usual Achilles Heel of children’s TV, children. In this case it is a couple of urchins called Honk and Tonk who mooch around the place overacting and generally irritating me.

And yet, for all this, Space Pirates has become something of a beacon of hope to me. As someone who is not afraid to use CBeebies as a momentary distraction on the unstoppable parasitic momentum of a one-year-old it stands as a shining example of quality amidst the black ocean of poorly animated blobs with cynically youthful trappings and jovially grating Scotsmen that threaten to corrode my very soul.

8/10

The Silver Surfer

(Former Herald of Galactus)



JAMES says:

The Silver Surfer is basically a silver guy who files around in space on a surfboard, essentially in the nude, looking for planets for his boss to eat. Now you’d think this would be the coolest job in the universe, but you wouldn’t know it to listen to the guy. Since he was made redundant he spends his time sitting around on mountains moping about something or other in a tediously overwrought fashion. You really just want to slap the guy. Unfortunately this would do you no good because, as he is constantly reminding everyone, his skin can withstand comets/suns/the endless black cold lonely depths of space that stretch in front of you to eternity like the darkness in the heart of mankind. Actually, if Stan Lee wrote all my dialogue I’d probably be a bit bummed out.

The Silver Surfer was merely the most successful of a number of “sports in space” characters, including the skiing Black Racer (like death, but with fondue afterwards), Gaard (an alternate version of the Human Torch who protected a portal in space by playing hockey) and Kur-Lin (a symbiotic binary being, compose of a giant rock creature who spits asteroids at his foes and a feathered alien that flies in front of the asteroid whilst cleaning space with his tail so that it travels more smoothly, and who surprisingly is the only one of these I made up). So it could have been worse I suppose.

Also, Silver Surfer: Parable (by Moebius) rocks.

5.1/10





Buy Silver Surfer: Parable on Amazon now! Although apparently it's out-of-print and is just ludicrously expensive, so y'know. You'd have to really want it.